Against any misleading, savage aberration, a parodic journey onto the picturing of discrimination, beyond the criticism of people, first serie oriented onto picturing the powerful and tremendous marriage commitment ending into a flooding emancipation blood and suicidal act of freedom. Caravaggio’s intimating setting of light is implementing with a surprising constitution of lighting direction, this journey made of a savage choice of colour palette. the plastic anatomical composition leads to an introspective personal interpretation of the woman’s body inviting but above all subjected to objectification, career’s underrated conception amd depersonalisation.
ON A WOMAN’S FANTASY